This is a guest post by our dear friend Mr Asim Hussain, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Touching Moments :- (1) Nusrat Saab discusses about his walid, and they all listen to his qawwali. (Some catching moments were lost due to camera focusing, Camera slowly focuses on Nusrat saabs while he is listening to his dad. And this changes/ hides the expression that might have caught on if nusrat saab’s was unaware of camera focusing.) (2) Nusrat saab explaining Khayal, Dhrupad (Dhurpad as he calls) and sargam gayaki to the Brook, And brook goes oh yeah its like do, le, ri…() . Then nusrat saab trying to explain that some sur can be sthayi and some can be improvised (like komal, ati komal) by singing (this is what i interpreted).. (3) When Nusrat saab, Rahat’s dad and rahat are doing riyaz. And rahat is making mistake. (4) I love Dildar Hussain. He accompanies Nusrat saab in almost every concert.

“Afreen” is a praise word for an audacious work.. Where in song NFAK praises the beauty of the beloved … .. I repeat the same words for the singer himself..

Check Out this Video… It features a Filmy - High Class NRI Wedding, and song plays in background… and see how perfectly it fits the scenes….. you may yourself say “Afreen Afreen”

Official Tribute : KISAY DA YAR - Nusrat Fateh Ali Khan Sahib Singer: Imran Amin Music Arrangements: SOHAIL HAIDER - SOHAIL KEYS Direction / Guitars : Farman Ali GWR Post: GWR STUDIO and MAQ Productions Exclusive Launch On : OXYGEN TV

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If NFAK was the thunder that entranced the world, Farrukh was the rain of melody that followed..

“Nusrat is now the symbol of the family name and its tradition. He is the prestige that has been brought to our house. His popularity and the respect he commands has immortalized our family. Nusrat is a living legend.I think of only one thing, That may Allah reward him more and more with greater honour.  Honours such as have not been received by any other artiste. We consider his honour to be ours and his unprecedented popularity to be our own. Our hearts beat for each other, we feel each other’s pain and pleasure. We may have different names and bodies but our hearts beat as one.”

These were the words of Farrukh Fateh Ali Khan when he was asked about NFAK’s unimaginable success. Farrukh was the driving soul of the party , A man with a great voice with varying texture, a prodigy of music and the greatest Harmonium player of his era , he even composed many of NFAK songs, though Nusrat always tried to credit him as the “Music Director of Ensemble”  he never took any credit… the pious soul was happy with what he had, and was forever thankful to god for being NFAK’s Brother. Farrukh was a great classical singer too, it he did many solo Jugalbandis with NFAK . He frequently used to beautify NFAK’s improvisations with his “Textured Alaap” .. very often Nusrat used to praise him in between song by nodding his head or sometimes even saying “Subhaan Allah” . He very easily used to cover the mistakes of other party members and was great at tune transitions.

Have you ever tried any of NFAK Ghazals… When it came to Ghazals NFAK thunderous voice used to become honey-soft , Sargam Improvisations used to become murkiyan ( A murki is cluster of notes that sounds like a short, subtle taan ), Repetitions of Phrases by Ensemble was replaced by NFAK’s solo repetitions full of Adayagi( Elite way of Expressing) and intense hand movements were now just limited to eyes and facial expressions… ( Though NFAK sometimes induced Sargams in Ghazals too… Cross-blending as he always did..)

Data Durbar( or Darbar) is the shrine of great Sufi Saint, Sufi saint, Abul Hassan Ali Hajvery (more commonly known as Daata Ganj Baksh, meaning the master who bestows treasures). It is one of the most important and oldest Sufi Shrines of World.Data Darbar is also viewed as one of the home grounds of traditional Qawwali. Till date , every Thursday there is a Qawwali performance at the shrine which starts at 3pm and continues throughout the evening. Data Darbar holds special significance in Nusrat’s Life, his performances here were the one that established him as a Great Qawwal in his native Pakistan and shut those down who accused NFAK of westernizing Qawwali, devotees present during NFAK’s  yearly performances on Urs in Data Darbar Complex are still found describing it as unmatchable and divine. When NFAK performed here first time, story is that Other Qawwals scheduled to perform after NFAK didn’t even got a chance.. why? You obviously know that…

Nusrat Fateh Ali Khan Live At  Drchester Hotel London 1993 - DVD (H.Q) City Bank Concert… 1. Introduction 2. Allah Hoo 18:39 3. Nami Danam 16:04 4. Akhiyan Udeek Diyan 14:40 5. Mera Piya Ghar Aya 11:40 6. Ho Karam Ki Nazar 14:53 7. Chaap Tilak Cheen Lee 15:20 8. Tum Ek Gorakhdhanda Ho 17:01 9. Je Toon Rab Noon Mananan 12:57 10. Ham Apni Sham Ko 08:51 11. Sanoon Ek Pal Chain Na 05:14 12. Yeh Jo Halka Halka Saroor 16:28 13. Allah Muhammad Char Yaar 04:15 14. Dam Mast Qalander 07:48

Getting Off Music for some time now, lets me tell you more about NFAK’s likes, the second most particular one this time.

If there was anything else NFAK was ever known for other than Music and nature, it was his appetite. He never used to eat before and during the performances which lasted 5-10 hours. You will be amazed to know that once he ate 70 kebabs in one go after a performance. NFAK was quiet weak when it came to compromising with unfamiliar food, so during his World Tours (which continued for months), he used to face a lot of problems. Once during his Germany visit, he literally lived on fruits for a few days. Another incident happened in Japan where he couldn’t eat Japanese rice and organizers finally had to arrange food from a Indian family living there.

It is no argument  that the World’s Music would have been a lot poorer if Nusrat Fateh Ali Khan was not born. Since early days of his introduction to Western ears he was hailed as one of the greatest voices and greatest singer ever. What follows is an everlasting list speaking the man’s impact on music and World.

1. 100 Minorities who changed the World: ……..by Sacred-Bridge Click Here To See Entire List

Cutting right to chest, if you are a big fan of “Allah Hoo” , then you might be knowing that the most famous version of Allah Hoo was recorded in this concert, I am talking about the 15 minutes versions you might have heard on albums like “Imprint”, “The Emperor” , “Live At Washington University” and any other famous compilation album. This is also the concert that was mentioned in our fan-story in previous post.

Nusrat Fateh Ali Khan, was the Celebrity Visiting Artist in the University of Washington Ethnomusicology Program in 1992-93. It was during the end of his visit that there was a sudden demand of a Concert performance, other ensemble members were back in Pakistan, NFAK initially thought of giving a solo performance with Tari Khan on Tabla, however the other member flew in just a few hours before the time. And then they gave us such a great show (after traveling for over 20 hours continuously), hats off to them.

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So the performance has all the great tracks “Allah Hoo”, “Man Kunto Maula” (Might be the beat version), “Mast Mast”, “Haq Ali Ali”, “Mera Piya Ghar aaya”…

this video posted below contains the main part of concert, the duo performance with Farrukh and another one with Tari khan will be posted soon..

So gear up for 90 minutes of pure music….