[caption id=“attachment_1271” align=“alignleft” width=“193”] Aah, Nusrat Fateh Ali Khan[/caption]

AAH- Nusrat Fateh Ali Khan was a Tribute programme released right after death of NFAK in 1997 as a 2-set Audio CD. The program Featured a compilation of NFAK songs, specially the remixed & hip-hip recordings famous in Pakistan that time. It also featured a narration of NFAK’s biography and legacy in between the songs. One of the good compilation programs indeed.

“The following Article was published on January 22, 1993, just one day before NFAK’s Unforgettable performance at Meany! in Seattle Times and is posted here with their permission. Read Along”

Tomorrow: Nusrat Fateh Ali Khan in concert, Meany Theater, 8 p.m., sold out. 543-4880. In Pakistan and North Indian mausoleums, singer Nusrat Fateh Ali Khan is widely celebrated as a powerful conveyor of the spiritual message. In the West his versatile voice, melodic sensibility and deeply passionate delivery have made him one of the most popular performers of contemporary world music. Last September, Khan came to Seattle at the invitation of the University of Washington ethnomusicology department as a visiting artist. Khan will be teaching there through March. Tomorrow, he gives his first public performance here, accompanied by an ensemble of nine musicians.

Hans Raj Raj is an artist with not only a beautiful voice but also a pure and beautiful heart, In an interview in Pakistan , he remembers two best moments of his life. One when Lata Ji invited him for her birthday and second when Nusrat Fateh Ali Khan offered him a song in Kachche Dhaage (Ishq Ki Galli Vich). (Look at how he hold’s his ears while taking NFAK’s name)

[caption id=“attachment_1203” align=“alignleft” width=“300”] Malkit Singh - The Nusrat Fateh Ali Khan Fan[/caption]

We all know and love Malkit Singh for  the songs “Gur Nalo Ishq Mita”, “Tootak Tootak Tootiyan”, “Kurri Garam Jayee”, “Dekh li vilyait”, as well as “Chal Hun,” and “Jind Mahi” from the blockbuster Bend It Like Beckham film soundtrack.

Malkit Sing was obsessed with NFAK from late 80’s but could never get a chance to see the man himself. He kept asking people around him so make it possible as soon as possible, and the big day came as a surprise. It was a Sunday afternoon in early 1990 when he got a call from Mohammad Ayyub from Oriental star Agency for a meeting. When Malkit reached there , he was surprised, it was NFAK sitting there waiting for him…. What happened next..

Raj and Pablo sit in for Tommy Sandhu and speak to Bally Sagoo, who remixed some of Nusrat’s greats.

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Ray Khan sits in for Rupal and invites Malkit Singh to talk about his experiences of meeting the Ustad, and he’ll be performing a couple of his favourite Qawwali’s live in the studio.

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Event, Time & Location: Wednesday, August 29, 2012, Cambridge Check Out All the videos in the playlist..

Doesn’t it push us to organize something similar

Mr Asim Hussain is back with another great post, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Live Concert In  Alhamra cultural complex Gaddafi stadium With Western Music, A treat of Fusion

Tracks ———————————————————— 1- Allah Hoo 2-Je Toun Rab Noun 3-Aankian Udeek Diyan 4-Kisay Da Yaar Na Wichray 5-Sanu Ik Pal Chain 6-Mera Piya Ghar 7-Dam Mast Qalandar

Here comes the video (From Asim Hussain’s Channel)

This is a guest post by our dear friend Mr Asim Hussain, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Touching Moments :- (1) Nusrat Saab discusses about his walid, and they all listen to his qawwali. (Some catching moments were lost due to camera focusing, Camera slowly focuses on Nusrat saabs while he is listening to his dad. And this changes/ hides the expression that might have caught on if nusrat saab’s was unaware of camera focusing.) (2) Nusrat saab explaining Khayal, Dhrupad (Dhurpad as he calls) and sargam gayaki to the Brook, And brook goes oh yeah its like do, le, ri…() . Then nusrat saab trying to explain that some sur can be sthayi and some can be improvised (like komal, ati komal) by singing (this is what i interpreted).. (3) When Nusrat saab, Rahat’s dad and rahat are doing riyaz. And rahat is making mistake. (4) I love Dildar Hussain. He accompanies Nusrat saab in almost every concert.

“Afreen” is a praise word for an audacious work.. Where in song NFAK praises the beauty of the beloved … .. I repeat the same words for the singer himself..

Check Out this Video… It features a Filmy - High Class NRI Wedding, and song plays in background… and see how perfectly it fits the scenes….. you may yourself say “Afreen Afreen”

If NFAK was the thunder that entranced the world, Farrukh was the rain of melody that followed..

“Nusrat is now the symbol of the family name and its tradition. He is the prestige that has been brought to our house. His popularity and the respect he commands has immortalized our family. Nusrat is a living legend.I think of only one thing, That may Allah reward him more and more with greater honour.  Honours such as have not been received by any other artiste. We consider his honour to be ours and his unprecedented popularity to be our own. Our hearts beat for each other, we feel each other’s pain and pleasure. We may have different names and bodies but our hearts beat as one.”

These were the words of Farrukh Fateh Ali Khan when he was asked about NFAK’s unimaginable success. Farrukh was the driving soul of the party , A man with a great voice with varying texture, a prodigy of music and the greatest Harmonium player of his era , he even composed many of NFAK songs, though Nusrat always tried to credit him as the “Music Director of Ensemble”  he never took any credit… the pious soul was happy with what he had, and was forever thankful to god for being NFAK’s Brother. Farrukh was a great classical singer too, it he did many solo Jugalbandis with NFAK . He frequently used to beautify NFAK’s improvisations with his “Textured Alaap” .. very often Nusrat used to praise him in between song by nodding his head or sometimes even saying “Subhaan Allah” . He very easily used to cover the mistakes of other party members and was great at tune transitions.